Lee Lowenfish

The Kansas City Chiefs' gripping overtime victory over the Buffalo Bills this past Sunday night Jan 23 kept me from getting too involved with TCM's showing of Joseph Mankiewicz's Oscar-winning "A Letter To Three Wives" (1949).  I had seen it before and will see it again.

More on Douglas and TCM upcoming films in a moment.

 

I felt bad for Buffalo and the ardent fans of western New York State.  They were only 13 seconds from hosting an AFC championship game this coming Sunday against the surprising Cincinnati Bengals and their growing-before-our-very-eyes young quarterback Joe Burrow.  

 

Whatta duel Buffalo's young QB Josh Allen engaged in against Kansas City's equally youthful QB Patrick Mahomes. Time to forget about the forty-something QBs Tom Brady and the insufferable anti-vaxxer Aaron Rodgers. Time to give props to these youngsters still in their mid-twenties.  

 

And let's give a shoutout to the good parenting they received. Patrick Mahomes' father, Pat, pitched for the Mets in 1999 and 2000.  Hard not to believe that Patrick's poise and remarkable calm under pressure had its roots when he was only five years old and he shagged fly balls at Shea Stadium before the 2000 Subway World Series.

 

A quick Wikipedia perusal led me to a nice tidbit from Josh Allen's mother.  "You bloom closest to where you plant," she said in explaining why her son never switched high schools in their small home town 40 miles outside Fresno, Calif.  

 

Neither did Josh go to a fancy QB camp. He played all sports in high school that left him further off the radar of the modish top football recruiters.

 

After a year of junior college, only Eastern Michigan and Wyoming were interested in Allen, and he chose the latter.  Interestingly, EMU beat Allen's Wyoming team twice.  

 

In an interesting side note, now that the transfer portal is brimming with activity, EMU has lost its top two QBs and their ace kicker who helped them beat Illinois and Purdue in 2021. It is the Wild West in college recruiting now on so many levels. 

 

As for the big games this Sunday to decide the Super Bowl contestants on Feb 13, it is a rare if not unprecedented rematch with teams who met on the last day of the regular season.  

 

After all his years toiling for the woebegone Detroit Lions, Matthew Stafford might be a sentimental favorite leading the LA Rams.  I would guess that his Texas high school battery mate Clayton Kershaw will be rooting for him.  Love the story that Stafford not only caught Kershaw in baseball but Kershaw centered the ball for his classmate in football.

 

Stafford must cut down the needless turnovers because the San Francisco 49ers will be ready to capitalize.  As the home team the Rams are slight avorites.

 

In the other matchup, I would think the Chiefs and the magical Mahomes should end Cincinnati's surprise run.  But even in close football, youneverknow, youneverknow.  Just hope the refs don't needlessly decide the outcome.

 

Turning to baseball - and I'll believe spring training starts on time on Valentine's Day when

plaayers and owners truly work out their differences  - I thought David Ortiz's election into the Hall of Fame was a foregone conclusion when he became the powerful voice of Boston Proud after the bombing of the Boston Marathon in 2013.  

 

That Ortiz wrapped up the year with a third World Series triumph cemented his enshrinement in the hearts and minds of the 77% of the 400-plus writers who voted him in.

 

That Ortiz's life in the Dominican Republic has not been exemplary was not a concern to the American voters. He was almost shot to death a couple of years ago in some kind of drug dealing incident.  Only the finest medical treatment here in the States saved hs life.

 

I don't share the indignation that some sportswriters are spewing that Roger Clemens and Barry Bonds were not elected after ten years on the ballot.  Now only a veterans committee can elevate them.

 

Turning to the exciting college basketball season and my two favorite teams, Columbia's women's basketball team improved to 5-0 in the Ivy League and 14-3 overall with a stirring come-from-behind win on Jan 26 over a longtime nemesis Penn.  

 

There will be a rematch on the road against Penn on Sat Feb 5 at 6p preceded on Fri Feb 4 at Princeton at 5p against the other undefeated team in the league.  Both games will be on ESPN+ as will the 2p Sat Jan 29 game at Dartmouth.

 

As for the Wisconsin men's basketball Badgers, they lost at home to Michigan State last Friday.  The absence of junior forward Tyler Wahl really hurt, but there are signs that his injured ankle is healing.  

 

There's a big matchup at Illinois, last year's champion, on Tu Feb 2 at 9p EST, TV on the Big  Ten Network. Their star center Kofi Cockburn has been out for a few games but they

are still formidable.  

 

And Badgers can't overlook a game at Nebraska on Jan 27 at 5p. Then come two home battles - first against Minnesota on Su Jan 30 at 1p and another vs. Penn State on 

Sa Feb 5 at 6p.  Then a visit to Michigan State for a rematch on Tu Feb 8 at 7p.

 

No game in the brutally competitive Big Ten is a gimme and the Badgers are not deep. Johnny Davis, the emergent Player of the Year candidate, has to stay healthy himself.

 

FINALLY here are some TCM tips for the end of the month and into February: 

"Letter to Three Wives," noted earlier, was Paul Douglas's first big role. 1949 was a big year for the former radio announcer and baseball broadcaster who had a worthy run in Hollywood until his death by heart attack in September 1959.  

 

On Tu Feb 8 at 1245p, Douglas stars as a grumpy baseball manager in the original "Angels in the Outfield" (1951), much of it filmed at Pittsburgh's Forbes Field. The always-excellent

 

Janet Leigh plays a manners newspaper reporter who tries to smooth his rough edges. 

BTW Douglas was Ray Milland's catcher in Valentine Davies' marvelous baseball fable, "It  Happens Every Spring" (1949).  A year before, Davies created a classic Christmas fantasy, "Miracle on 34th Street," some of which actually was filmed at Macy's. With Edmund Gwenn as Santa Claus, Maureen O'Hara, and young Natalie Wood.

 

Also on Feb 8 at 6p the 1951 "Show Boat" with Ava Gardner/Joe E Brown as Capn Andy

followed by 8p Leon Gast's doc. "When We Were Kings" (1996) about Ali-Foreman fight in Zaire with a lot of great music

 

945p John Huston's "Fat City" with Jeff Bridges as a mediocre fighter and genuine welterweight Curtis Cokes (1972)

 

1130p "Raging Bull" (1980) - Scorsese directs DeNiro as Jake LaMotta - followed by:

 

115A Robert Rossen's grueling "The Set Up" (1949) with the magnificent Robert Ryan

 

F Feb 11 at 1p "Three Little Words" (1950) about the musical comedy team of Harry Ruby (Red Skelton) and Bert Kalmar (Fred Astaire).  Skelton doesn't do justice to Ruby and his genuine love of baseball.

 

But several ballplayers appear including George Metkovich as onetime pitcher-turned-

comic Al Schacht. Ruby himself makes a cameo as a player as do former Yankee Jerry

Priddy and Pacific Coast League legend Frank Kelleher.

 

On the serious film front on TCM, I'm curious to see the original "Dillinger" (1945)

Fri Jan 27  at 1015a - Mozart's birthday no less - with an all-star cast of gangsters including Lawrence Tierney in the title role and such classic gangsters as Eduardo Ciannelli, Elisha Cook Jr., and Marc Lawrence.

 

Sa Jan 29 245p Burt Lancaster, who did all his own stunts, in "Birdman of Alcatraz" (1962)

 

Tu Feb 1 Henry Fonda night including 8p John Ford's "Young Mr. Lincoln" (1939) 

 

10p William Wyler's "Jezebel" (1938) with Bette Davis

 

F Feb 4 at 6a worth at least taping "The Breaking Point" (1950) John Garfield's last Warner Brothers film and produced by his own company. With Phyllis Thaxter as the solid wife, Patricia Neal as the noirest of women, and the unjustly forgotten Juano Hernandez as Garfield's boat assistant.

 

Sa Feb 5 2p Fritz Lang's "Rancho Notorious" (1952) with Marlene Dietrich, Arthur Kennedy, and Mel Ferrer

 

 

Su Feb 6 12M, 10A "The Turning Point" (1952) - Noir Alley presents William Holden fighting

corruption with or without the help of Edmond O'Brien and Alexis Smith.  Don't get confused. This is the "Turning Point" not the "Breaking Point".

 

12N "Rhapsody" (1954) Elizabeth Taylor must choose between a violinist or a pianist.

Another one of TCM's odd juxtapositions but the classical music is very good in this film.

 

That's all for now.  Always remember:  Take it easy but take it, and stay positive test negative.

 

 

 

  

 

 

The enforced isolation of sheltering in space has allowed me to taste many dishes these days from the worlds of baseball and music and movies. Here's a rundown of some highlights and recommendations for the next week or so.

 

On Fri aft Apr 24, MLBTV replayed the Mets' thrilling 3-2 victory over the Braves on Sep 21, 2001, the first game in NYC after the 9/11 bombings.  I attended the game and thrilled to the Seventh Inning Stretch rendition of "New York, New York" with Liza Minnelli singing and leading a kick line with various members of the police and fire departments and other uniformed personnel. 

 
I was way up in right field that night so could see the show much better on TV today. Liza was really hyped up to put on a great show despite problems with the PA system.

 

She always reminded people that the song was written for her, not Frank Sinatra though his version is almost always played.  In fact, for many years the Yankees only played Liza's version of "New York, New York" when the team lost.  They have stopped that indignity but now don't ever play her rendition.

 

When you watch the "All Time Games" on MLBTV, you realize how every game has turning points and chances for redemption. Earlier in the game, Mike Piazza had been unable to catch a throw at home plate from right field, allowing hustling Chipper Jones to score the first run of the game from first base.  

 

In mid-game Piazza also stranded a runner at third with two out by grounding out to third.  But he rose to the occasion in the bottom of the 8th with a game-changing two-run home run off New York-born Steve Karsay.

 

There was no over-the-top celebration of the homer by either Piazza or his teammates.  They were happy, of course, but I sensed a feeling that it was a statement of affirmation after such a jarring blow to the city delivered by the suicide bombers.

 

Hearing "New York, New York" again and watching the happy ending, I was yet swept by the bittersweet feeling that it will be a long time before we can experience the joy of watching in capacity crowds.  Not forever - we can't think that way - but it will be a long time. And wisely so until the scientists and sensible public health officials get a better grip on the problem.

So let's take some solace in watching some old baseball movies. Mark down this Tuesday April 28 at 1p when TCM shows the original "Angels in the Outfield" from 1951. It is directed crisply by Clarence Brown (1890-1987), who holds the unenviable record of the most Oscar nominations without a win at six.  

 
"Angels" stars Paul Douglas as the crusty beleaguered manager of the Pittsburgh Pirates.  Janet Leigh plays a newspaper reporter specializing in society stories who tries to civilize him.  Keenan Wynn, 13 years before his memorable turn as Bat Guano in "Dr. Strangelove," plays a cynical sportswriter. 

  

The title comes from a little girl who roots so hard for the Pirates that she imagines angels in the outfield helping them. And whatdya know? They are real. The ever-cheery and bubbling Spring Byington plays a nun who helps facilitate the miracle. 

 
I can envision many hard-boiled sophisticated baseball fans running away from the TV before the film is even shown.  I say give it a try.  In my first seeing, I found it not as sentimental as it sounds.  

 

Even if not buying into the movie, fans can enjoy the baseball sequences filmed at Pittsburgh's Forbes Field. Look for cameo appearances by Ty Cobb, Joe DiMaggio, Ralph Kiner wearing #4, and Bing Crosby, who owned a share of the Pirates at the time.  

Sam Narron plays a rival Philadelphia coach - Narron was one of eight Narrons from a baseball family in North Carolina that played professional baseball. 

 

Paul Douglas is one of my favorite actors.  He delivers athletic portrayals naturally because he briefly played pro football in the pre-NFL days and was a sports announcer for many years.  He had also been convincing as Ray Milland's catcher in the charming "It Happens Every Spring" released in 1949 ( that film was written by Valentine Davies who the year before had created "Miracle on 34th Street" with Edmund Gwenn as Santa Claus and young Natalie Wood). 

 

On the musical front, if you tune into wqxr.org on line or 105.9 FM, this Sunday night Apr 26 at 10p, the piano music of Gabriel Faure (1845-1921) will be highlighted in David Dubal's absorbing "Reflections from the Piano" series. It is a repeat of the Wed at 10p show.

 

Faure's melodies always are inviting and many of his harmonies are haunting. Oddly, some of his gently dissonant notes somehow reminded me of the much later jazz great Thelonious Monk (1917-1982).  There will be a second Faure show on W Apr 29 at 10p, repeated on Su.

 

Remember, too, that during the daytime Th Apr 30 will be Eve Arden Day on TCM. Unfortunately, they are not showing "Anatomy of A Murder" in which she plays James Stewart's secretary.  It would have been timely since on April 29 Duke Ellington, who wrote the music for the film, would be 121.

 

They are showing films I've never seen - "Unfaithful" at 10a, "Comrade X" from the critical period of 1939-40 at 2p, and the classic "Mildred Pierce" at 345p. The last one at 6p is the so-so filming of her classic radio-TV "Our Miss Brooks". It does have the novelty feature of

direction by "Grandpa" Al Lewis of Munster fame. 

 

Sorry to end on a somber note but it was an eerie coincidence that actress Shirley Knight passed away last week on April 21nd on the same night that TCM was showing "The Group," based on Mary McCarthy's incisive novel about Vassar's Class of 1933 and their first years in the real world.

 

Knight gave an outstanding performance as she always did.  I had forgotten that she had created the role on both Broadway and Hollywood of Reenie in William Inge's achingly beautiful play, "The Dark At The Top of the Stairs."  

 

She always provided a seemingly placid but deeply emotional coloration to all her roles. In some ways she  reminded me of Sissy Spacek before Sissy Spacek came on the scene.  Shirley Knight was 83 and she died at the home of her daughter Caitlin Hopkins who chairs the theatre program at Texas State U in San Marcos.  

 

That's all for now.  Always remember:  Take it easy but take it (even if you have to wear a mask a lot of the time.) 

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